CHAPTER 13: THE HIGH RENAISSANCE IN THE NORTH
I. LEARNING OBJECTIVES
· To describe the spread of humanism and artistic ideas to Northern Europe and England
· To explain the program of changes proposed by religious reformers in the Reformation, the causes of the Reformation, and the cultural significance of the Reformation
· To discuss the relationship between humanism and the Reformation
· To list the most important religious reformers
· To present the intellectual developments in the Northern Renaissance, including the growth of science
· To detail the most important paintings, architecture, and music of the Northern Renaissance
· To set forth the major works of William Shakespeare
II. OUTLINE OF CHAPTER CONTENTS
Humanism Travels North
France
Germany
The Netherlands
England
The Reformation
Consequences of Luther’s Challenge
Anabaptism
Calvinism
The Church of England
Causes of the Reformation
Renaissance Humanism and the Reformation
The Cultural Significance of the Reformation
The Growth of Science
The Visual Arts in Northern Europe
Painting in Germany
Albrecht Durer
Matthias Grunewald
Albrecht Altdorfer
Painting in the Netherlands
Hieronymus Bosch
Pieter Bruegel the Elder
Caterina Van Hemessen
Art and Architecture in France
Jean Clouet
Chateau de Chambord
The Louvre
Elizabethan England
Are in Elizabethan England
Netherlandish Artists in the Tudor Court: Hans Holbein the Younger
And Levina Teerlinc
Nicholas Hilliard
Music
Music in France and Germany
Elizabethan Music
Thomas Tallis
William Byrd
Thomas Morley
John Dowland
Literature
Michel Eyquen de Montaigne
English Literature
Sir Thomas More
Thomas Wyatt
Edmund Spenser
Queen Elizabeth I
Drama in Elizabethan England
Christopher Marlowe
William Shakespeare
Shakespeare’s Sonnets
III. FIGURES, MAPS, AND TABLES
Figure 13.1 British actor David Tennant as Hamlet, 2008, Royal Shakespeare
Company, The Courtyard Theatre
Figure 13.2 Hans Holbein the Younger, Henry VIII in Wedding Dress, 1540
Figure 13.3 Lucas Cranach the Elder, Martin Luther and His Wife Katherina von
Bora (double portrait), 1529
Map 13.1 Religious Divisions in Europe ca. 1600
Figure 13.4 Andreas Vesalius, Third Musculature Table from De humani corporis
Fabrica libri septem, 1543
Figure 13.5 Principal Discoveries and Inventions in the 16th Century
Figure 13.6 Albrecht Durer, Self-Portrait, 1500
Figure 13.7 Albrecht Durer, Adam and Eve, 1504
Figure 13.8 Albrecht Durer, Knight, Death, and the Devil, 1513
Figure 13.9 Matthias Grunewald, Crucifixion, center panel of the Isenheim
Altarpiece (closed), ca. 1510-1515
Figure 13.10 Albrecht Altdorfer, Battle of Alexander at Issus, 1529
Figure 13.11 Hieronymus Bosch, Garden of Earthly Delights, 1505-1510
Figure 13.12 Pieter Bruegel the Elder, The Triumph of Death, ca. 1562-1564
Figure 13.13 Pieter Bruegel the Elder, Hunters in the Snow, 1565
Figure 13.14 Caterina Van Hemessen, Portrait of a Lady, 1551
Figure 13.15 Jean Clouet, Francis I, ca. 1523-1530
Figure 13.16 Chateau de Chambord, Loire Valley, France, begun 1519
Figure 13.17 Pierre Lescot, west wing of the Cour Carree (Square Court) of the
Louvre, Paris, France
Figure 13.18 Hans Holbein the Younger, Anne of Cleves, ca. 1539-1540
Figure 13.19 Levina Teerlinc, Lady Catherine Grey, ca. 1555-60
Figure 13.20 Nicholas Hilliard, Ermine Portrait of Queen Elizabeth I, 1585
Figure 13.21 Thomas Moreley, score page from The First Booke of Canzonets
[for] Two Voices, 1595
Figure 13.22 Replica of Globe Theater, London, United Kingdom
Figure 13.23 Eduard Grutzner, Falstaff, 1910